NaBloPoMo 8: WANAFriday: What Would I Do?

NaBloPoMo=National Blog Posting Month. Challenge: Write a post a day in November.
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WANA=We Are Not Alone, a group of bloggers who provide mutual support for our writing and blogging efforts. Shepherded by by Kristen Lamb.
WANA Challenge: Write a #WANAFriday post every Friday with a prompt posted by one of our members.

This week’s #wanafriday question/theme comes from WANAite, Cora Ramos.

How did the last book you read change you, or not. What do you want from a good book?

In recent weeks, I have posted several reviews on books I have recently read:

The Red Kimono, Jan Morrill

The House I Loved, Tatiana de Rosnay

Light Between the Oceans, M. L. Stedman

I found each of these books to be well-written and each had a significant message.

I wouldn’t say that these books changed me, but I must admit that I have thought about their messages a number times since finishing them. How would I hold up under these circumstances? What decisions would I make when faced with these incomprehensible challenges?

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In The Red Kimono, a Japanese family living in San Francisco in 1941, faces discrimination, character assassination, and brutal loss of freedom through no fault of their own.

The story, written by Jan Morrill, relates events that happened in her own family’s world. In reading this book, you face the reality of war-time human interactions and shake your head. How could this happen in our own country? Both major and minor characters struggle with the complexities of a world gone crazy with fear and hate. The characters each learn something in their struggle to survive in their pain and suffering. And the characters have lessons for the reader, too. It is a powerful story, beautifully told.

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The House I Loved by Tatiana de Rosnay is historical fiction, set in Paris, France in the 1860s, when a powerful government under Emperor Napoleon III  decided to modernize Paris by tearing down entire quaint neighborhoods and rebuilding with grand boulevards and modern architecture.

This touching story relates how people from these intimate neighborhoods coped with the change: the young and realistic coped and moved on; the elderly suffered and struggled with overwhelming change in their lives.

Rose Bazelet decided to fight the modernization incursion in her little neighborhood in her own way, and in the meantime, she confronted long-held secrets. The book, written in letters to her late husband, Armand, describe the horror of the destruction of near-by neighborhoods. Soon the destruction reaches her own dearly-loved neighborhood. It’s coming closer and closer to Rose’s house. Now it’s time…

Tatiana de Rosnay, named one of the top three fiction writers in Europe in 2010, wrote NYT  bestsellers Sarah’s Key and A Secret Kept.

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M.L. Stedman’s book, Light Between Oceans, presents a compelling moral dilemma for a young, childless couple, Tom and Isabel Sherbourne, who have suffered multiple miscarriages in their short marriage. Isabel’s emotional well-being is tied up in these miscarriages.

The lighthouse keeper has emotional problems of his own dealing with his memories of battles in Europe in WWI. He was one of the lucky ones who arrived home still in one piece, but his memories of battles and close friends who died there, torment him.

Now living on an isolated lighthouse island off the coast of Australia, the couple discovers a dinghy on the beach with a dead man and a live baby in it. How could this be? Is it an answer to Isabel’s prayers and pleading for a child? They can’t possibly fathom why, but here is a live baby that needs care. Is it their responsibility to care for this baby? What is their responsibility in this situation?

The decisions they make have long-ranging consequences. This book is both compelling and heart-breaking.

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Why did I like these books?

1. Historical fiction (or books with historical settings) are among my favorites. I love reading about other times and other places.

2. Each one of these books has a compelling story, with complications that challenged the main character’s (and even minor character’s) whole lives and belief systems. These books raise many questions:

How do people react when their worlds fall apart?

Do they rely on their past moral instruction, or do they make it up as they go along.

What are the consequences do they face when going with their hearts and not their reason?

How do people cope with tragedy in their lives? Do they stand up to and go on? Do they fall apart?

What character traits belong to each group?

Would we be like this person or that person?

3. These books give many hours of pleasurable reading, although the tension, at times, runs high.

We don’t know how we would react in these extreme situations, but we hope we would act in accordance with our own long-help beliefs, values, and principles.

The Last Meow

Yes, Missy Jan, I know you like to read, but could you just let me finish my breakfast in peace? Please? I have a busy day scheduled. After I eat, I will play, sleep, then eat again. Let me get started!

Photo: Crash the Cat by Kathy Cherry

Meow for now! =<^;^>=

Don’t Use Adverbs? Book Reviewers Use Them!

Adverbs have been thoroughly trashed in the writer’s world. Read more about that here: Who Murdered Those Poor, Pitiful Adverbs?

Even so, adverbs remain a handy tool in the writer’s toolbox. Adverbs modify (add meaning) to verbs, adjectives, and other adverbs. “At their best, adverbs spice up a verb or an adjective. At their worst, they express a meaning already contained in [the verb].” Roy Peter Clark, Writing Tools: 50 Essential Strategies for Every Writer

Look carefully, and you will find those ostracized adverbs being featured prominently in book review blurbs. Check these out:

“Wickedly funny, deviously twisted and enormously satisfying. This is a big juicy bite of zombie goodness. Two decaying thumbs up!”
Jonathan Maberry on Kevin J. Anderson’s, Death Warmed Over: Dan Shamble, Zombie P.I.

“Rather than rest on her laurels, Grafton does the exact opposite, and U is for Undertow is her most structurally complex, psychologically potent book to date.”
Los Angeles Times Book Review included on flyleaf of Sue Grafton’s, V is for Vengeance

“A slice of American history beautifully told by three young Americans coming of age in a turbulent time.”
Jodi Thomas, New York Times best-selling author on Jan Morrill’s, The Red Kimono

“Move over, grumpy schoolmarms everywhere. Your time has come. For the writer or wannabe, Sin and Syntax is urgently needed, updated, and hip guide to modern language and writing.”
Jon Katz, media critic and author of Running to the Mountain, on Constance Hale’s, Sin and Syntax: How to Craft Wickedly Effective Prose.

“It’s a miracle, a daybreak, a man on the moon . . . so impeccably imagined, so courageously executed, so everlastingly moving.”
Baltimore Sun on Jonathan Safran Foer, Extremely Loud & Incredibly Close: A Novel

And finally, there’s this:

Adverbs by Daniel Handler

No, this book is not about adverbs; it’s actually an unusual love story, and let’s even say, a very unusual love story. Every chapter boasts it own adverb title: Immediately, Obviously, Arguably, Particularly, Briefly, Soundly, Frigidly, Collectively, and so on for nine more adverb-laden chapter titles. Here’s one review blurb:

“Gymnastic prose . . . brilliantly turned reminders that there are a million ways to describe love and none of them will be the last word.”
New York Times Book Review

The Last Meow: A Cat-A-Log of Advice for Writers

So book reviewers use a lot of adverbs. Okay. Just don’t copy their style for lengthier pieces of writing. Follow the sound advice given by professional writers:

1. Use strong nouns and verbs in your writing. Don’t rely on weak adverbs to rev up common everyday verbs.

…the hackneyed result [of using weak verbs and weak adverbs] is immediately apparent.
Noah Lukeman, The First Five Pages: A Writer’s Guide to Staying Out of the Rejection Pile

2. Use distinctive, fresh, surprising adverbs, and your writing will shine. Here are a few examples from The New Yorker:

…maddeningly inaccessible… (Tribeca Cinemas in NYC)
Silvia Killingsworth, “Takes for Two,” The New Yorker, April 1, 2013

..the large color pictures are…gritty, intimate, and bracingly authentic (Polaroids by Mike Brodie)
Chelsea Gallery, The New Yorker, April 1, 2003

…an outlandishly sensual red-vinyl church interior by Rodney McMillian
ART, Museums and Libraries, Whitney Museum of American Art, The New Yorker, April 1, 2013

…mercilessly critical…
Marc Fisher, “The Master,” The New Yorker, April 1, 2013

Perhaps book reviews use too many adverbs, but adverbs can be a writer’s friend if used wisely, surprisingly, and judiciously.

And now it’s nap time. All this teaching tires me out.

Meow for Now. =<^;^>=

Pic by Haryo Bagus Handako